By turning the camera on myself, I navigate themes of hauntology, gender, and patriarchy within the tapestry of Indian mythology. My introspective self-portrait films and photographs echo the legacy of the women who came before me, their stories laying the foundation for my research led practise.
My practise intricately explores femininity while blurring the line between reality and imagination. While my works may initially seem anchored in cultural specificity, a closer look reveals threads that weave through diverse cultures, illuminating the shared experiences of women across the world. I design elaborate sets that capture the opulence inherent in Indian culture, using carefully crafted props that act as pivots, anchoring different scenes together. Making and materials, play a central role in my practise - lilies are carefully crafted from porcelain or horses etched into mirrors, serving as an extension of symbols in history. I am also interested in composition and world building.
Indian mythology often upholds its scriptures as the ultimate truth, reinforcing patriarchal norms. These teachings resonate like a warning, portraying the consequences of a woman straying from societal expectations. Through my practice, I confront my own connection to the culture and heritage, finding beauty in the feminine aspects of these ancient texts. In my work, I carve out space for new narratives, reclaiming the power and grace of these stories that have long been suppressed by tradition.